Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective." Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession. Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders." 译文(3): 导演阿瑟·希勒（Arthur Hiller）（《爱情故事》，《银条纹》）改编自编剧爱德华·安哈尔特（Edward Anhalt）（贝克特），将演员剧作家罗伯特·肖（Robert Shaw）的《玻璃亭里的人》（The Man in The Glass Booth）改编为《洛杉矶时报》（Los Angeles Times）的电影；大胆、愤怒、完全挑衅、无休止的暧昧和惊人的效果"；
2024-05-31 13:14:05，最后更新于 1月前
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倒序电影《草丛中的人》的剧情详细介绍
◎影片名称：草丛中的人
◎影片别名：烙印
◎影片类型：剧情
◎豆瓣链接：2372130
◎IMDb链接：tt0073345
◎影片时长：117 分钟
◎影片导演：阿瑟·希勒
◎影片主演：马克西米连·谢尔 洛伊丝·内特尔顿 卢瑟·艾德勒 Diana Norbert 康妮·索耶 Leonidas Sy 贝里·克勒格尔 罗伯特哈里斯 劳伦斯·普莱斯曼 David 洛伊德·波奇纳 莫特·亚伯拉罕斯 伊莱·A·兰道 萨姆·利威特 戴维·布雷瑟顿 Joe Leonard John 斯坦·温斯顿
◎上映日期：1975-05-19
◎影片地区：美国
◎影片语言：英语
◎更新时间：2024-05-31 13:14:05
◎影片剧情：
Director Arthur Hiller (Love Story, Silver Streak), working from screenwriter Edward Anhalt's (Becket) adaptation, transforms actor-playwright Robert Shaw's The Man in the Glass Booth into a film the Los Angeles Times dubbed, "daring, outrageous, utterly provocative, endlessly ambiguous and strikingly effective."
Millionaire Jewish entrepreneur Arthur Goldman (Maximilian Schell) benvolently rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant (Lawrence Pressman) and chauffeur (Henry Brown) dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, Academy Award© winner Schell (Judgement at Nuremberg) crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession.
Veteran cinematographer Sam Leavitt enables Hiller to coax a vividly personal and electrifying intelligent dual portrait out of Schell. The Man in the Glass Booth is a timeless drama of surprising intimacy and indefatigable courage, "possessing," declared the Los Angeles Times, "a remarkably resilient sense of lightness for all the profound questions it ponders."
译文(3): 导演阿瑟·希勒（Arthur Hiller）（《爱情故事》，《银条纹》）改编自编剧爱德华·安哈尔特（Edward Anhalt）（贝克特），将演员剧作家罗伯特·肖（Robert Shaw）的《玻璃亭里的人》（The Man in The Glass Booth）改编为《洛杉矶时报》（Los Angeles Times）的电影；大胆、愤怒、完全挑衅、无休止的暧昧和惊人的效果"；
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